Wednesday, 24 February 2010
Random Events Recorded...
1) What possessed me to take up a weight loss course based on hypnotherapy???
At work P. was in a previous life/pre-castle a hynoptherapist. He is now the one training a bunch of us tubby wardens who graze on the various snacks provided at work and pile on the pounds. In fact during one part of my Personal Development Review and being asked what was the best aspect of one of the items I did, all I could remember was the great food!! hmmmm.... but to be fair they had free mini Oreo biscuits!! They were immense :)
Anyhow so P is teaching us on the subconscious to not crave food. It has seemed to be working because I am not doing anything untoward i.e. eating snacks. However, whilst under the "trance" part lying on the floor surrounded by my colleagues, I gave an almighty snore, inhaled the blanket covering my mouth and choked cauisng a bit of commotion at my end of the room. Was the tranquility of the room interrupted? Pfft. Needless to say, most people were giving me a disapproving raised eyebrow afterwards.
Why can't I be graceful eh? Sometimes there just is not one bone of feminine grace and charm in me.
2) TEXAN MAN IN PUB
I went to meet up with my friend Em today and catch up. She has a lush new older boyfriend and her job at Ann Summers is going well- seriously this is like the ideal job for her- candid answers for every question! Anywho we were approached by a random Texan bloke working in Slough. I asked- couldn't he find a nice place in England to live? Apparently not. Anyhooo he was a little odd, kept saying fuck and trying to make me like 80s American music. It is not going to happen. It wasn't a particularly outstanding time for music to be honest and he was not making a very convincing argument. Anyhoo with some beautiful acting skills on my part and Em covering up her bemused face on picking up on my escape plan dove out of the pub ASAP. He gave me the creeps. Bless though, I think he was just lonely.
3) Walking Home in Pouring Rain
Yes, well. That just about sums it up really. Following this event in pub we walked around Tesco's for a bit as the shops were shutting in the high street. In order to work off the large glass of wine I had supped in the pub I decided it would be a marvellous idea to walk home. It was only drizzling when I set out. HA!
Half an hour later I turned up at my doorstep, my woollen blazer (oh yes!) was drenched through, the coat was shrinking a little bit but mostly smelling of a wet dog, my cowboy boots it seems are not water proof but were more comfortable than I had previously given them credit for, and my once-afro-tastic-curly hair was now plastered to my head. Hmmmm. Enough said on that I think. Oh no, I forgot. I put on non-waterproof mascara this morning. I came home looking like (and also smelling like) a corpse which had just been pulled out of the river.
In short, bit of an odd week the last few days!! Made for some interesting blogging- well more interesting than usual!!
DEATH CAB FOR CUTIE
"Meet Me on the Equinox" was the song that first got me into them (on the NewMoon: Twilight soundtrack CD). I happen to like the video below because of its 'New Moon' aspects to it :)
I also like "I will possess your heart" and "Grapevine Fires and "You can better than me" too... when I get paid I shall be downloading some albums/buying some albums. I prefer to have the non-biodegradable, eco-unfriendly and space-taking CD to fill that materialistic physical need of the consumer inside me.
Anyhow, back to the band... I think they are really great... check them out... and I guess thanks Stephanie Meyer for getting me hooked on Death Cab for Cutie!! The review went a bit flat at the end there, but the music more than speaks for itself! Enjoy...
Friday, 19 February 2010
I LIED!!!
However on a point of interest on my part- a girl I thought was way healthy and slim and essentially perfect on the fitness regime belongs to weight watchers. She was a bit of a chunky monkey once, but now is a lithe slim line figure. It makes you wonder where I will be when I am 25. Will I finally make the "maintaining the weight" status on a weight watchers lifestyle? WIll I have just got a job managing the museum part of the Wellcome Library? Hmmmm we will see. Either way for her, I am sorry to see her leave today at work and it is such a shame I only really got to know her in December.
I guess that gives me a lesson to not listen to what others at work say about people and give them a second chance. Sometimes people have an off day just like me and somewhere underneath all the preconceptions and assumptions there could be a good friend. Good luck to her I say- I will see her when I am hanging around the library :)
Happy Weekend everyone- Enjoy your Friday night! Me? personally- I am going to enjoy my bottle of wine, my spag bol and watch Jonathan Ross before an early night and work tomorrow :D
Wednesday, 17 February 2010
"Weight Loss" Scheme Update
Friday, 12 February 2010
Thank F**k for today- FINALLY I realise a MA was for me!!
Elizabeth Gaskell
I am converted!!
Thursday, 11 February 2010
Weight Loss Scheme #932 Ready to Commence
So I have joined a hypnotherapy weight loss course at work- a tenner for a four week course is dirt cheap. it is going to help visualise yourself slimmer, make you think positive and bolster your self will- of which mine is very weak- place a lump of cheese in front of me and I crumble!! My brother is my weight loss buddy, so together we are taking on the chain-smoking mother and father who thinks we will starve is the plate isn't mounted. Needless to say they are not that worried about their health in that way. My mam is slim and small, my dad considerably less so and they are happy in their bodies so yay for them. However for me and my brother- not so much. It is about choices. I am choosing to be slimmer and the ability to pinch less fat would be lovely!! haha!! All that "pinch an inch" malarkey!! Grrrrr.... my rowing friend does that... if it is a centimetre she will be lucky- I need two hands for mine man!! lol!!!
It has gotta be hard for RJ as he used to be so uber slim, ate like a horse and had the energy of a rocket launcher all the time. He had a bad kidney disease for a time and had to have these steroids which made his lithe form bulk up to a not so lithe form. Then he lost it all working in construction. Then he piled it all on again after he was made redundant and didn't have a job for 11 months. Me? Well, I have always been a bit of a porker. Played the boys in dancing shows, I was the building block of any pyramids etc. I have just had enough of being chubby. So why wallow when you can do somehting po-active?
I am not being hardcore about it, just calorie counting and I am exercising everyday during the week for half an hour whilst watching the tellybox and having a couple of hours practice a week on my ballet technique that has soooo gone to pot over my university years!!
I have even signed up to a calorie counting website and made a profile where I log in my pitiful exercise and also everything I eat. And when I weigh myself every week I can log any losses.
I will reckon I will let you know how I get on from time to time.
I am feeling very positive about this :)
Now I am going to get showered and changed before mam heads back for her work lunch break and I am still in my PJ's lol!!
Wednesday, 3 February 2010
Daily Mail Review II: Terry Pratchet and Assisted Suicide
Daily Mail Review: The Pope and Intolerance
Film Review: Miss Pettigrew Lives For A Day
Okay so that is a summary of the plot. As an aside it is based on a book, which is something I didn't know. Winifred Watson (the first name of my great-grandma- or as I knew her- just Grandma- the crazy lady who at 87 would still crawl around on the floor with us playing Doh-Nutters wearing the silly elephant mask too!!) wrote the novel in 1938 and I soooo know I want to read it, and probably will knowing me!! I need a lifetime to read all the books I want to read.
No what made the film for me? It was sharp changes from humorous and poignant that flowed together to make a really charming story, twee but not sickeningly so. That, I think, is down to the actors who really weight down the story and lift it up when the occasion arises. The New York Times simply swooned over Amy Adams in Miss P: "[Delysia] may be an amoral, sociopathic vixen. But in Ms. Adams's portrayal she is also an irresistibly endearing creature of moods and whims, one who melts the hearts of the possessive, egotistical beaus she carelessly juggles while pursuing the leading role in a West End musical." I quite frankly I agree. She is one of the best young actresses to come to the fore in recent years and a better icon than say Jordan and the like. Recently I have watched three very different films of Amy Adams. One was Enchanted- a Disney film (and one I have seen many times because I bloody love its cheese factor), Doubt where she plays a nun alongside Meryl Streep who accuses a priest of molestation and Miss Pettigrew. In each her acting was different and she played each character differently. I like. *Nods head emphatically*
However the New York Times' swooning, however, does touch on the sycophantic: "Beneath their wiles, Ms. Adams's princesses are true-blue souls who would sooner die than hurt anyone. They're just a little ditzy." Yet they hit a key note with me- ditzy. Maybe that is why I like her acting- there is that element of continuity throughout all her roles though different- that ditzy element that is so endearing and classically her. Julia Roberts, Meg Ryan and Sandra Bullock all have an endearing quality. This is her own style. And with the ditzy factor- I think I can relate to her, though she is approximately a third of my size, gorgeous and can act. Meh, trivial aspects teehee...
Yet you cannot forget Frances McDormand the lead role of this film. She is terrific. Believable and loveable. She capturs the time in the way she holds herself and conducts herself as Miss Pettigrew. No one will mess with her not even the slimy Nasty Nick and everyone wants and heeds her advice, an incredible phenomenon but again believable. She is the main reason that the story runs and flows so well juxtaposing laughs with poignancy. In terms of critical review the plot got a wee bit panned saying "[it] is an example of how a little nothing of a story can be inflated into a little something of a move with perfect casting, dexterous tonal manipulation and an astute eye and ear for detail" (NY Times). Okay so it is quite a nice, eloquent panning and accurate in parts- the act is terrific and the directing of the tone and nice nuances really make the film that extra bit special. But this review kind of misses out on the charm of the film. That unerringly jaunty and fast-flowing pace (the film is all set over the course of a day) and the nice sentimental touches that put you back into context that it was the Depression-era, not everyone one was having a fabulously exotic lifestyle like Delysia. The fact that Miss Pettigrew is always so hungry throughout the film and almost on several occasions manages to eat something more than an olive out of a cocktail glass and the cucumbers from her facial but is thwarted. At the conclusion of the film having gone all day without real food, she sees a half eaten apple left in the train station. She makes a lunge at it, but the train porter sweeps it up before she gets there. A moment after that lone shot of the look of grim desperation on her face, Joe turns up. As they walk off into the proverbial sunset together he asks her whether she has eaten- it is soooo sweet and we know that he must have seen her diving for the apple but was gentlemanly enough to let her have a moment to compose himself before entering her eyeline. It is the most amazing and uplifting scene I have seen in ages. The entire film ebbs and flows with such ease and doesn't seem in any way contrived, which can be hard for the kind of twee movies I like to relax to. I sat on the sofa and squealed and laughed and almost shed a tear during the course of this little mountainous film.
I loved it so much so I a) blogged about it, b) am fighting my Dad to keep it on the Sky Plus Box- something he likes to wipe down every day grrrrr- completely unnecessary really, c) am going to buy it on DVD meaning that this week Miss Pettigrew Lives For A Day will be receiving plus one more DVD sale! I know Dad won't be able to resist seeing that "Viewed" sign and for fear of the memory being taken up by my stuff will delete it. Bless him. He is so fastidious.
But on a concluding note about the film, as always I recommend to watch all my blogged about movies. This one is for the light-hearted, only takes up a hour and 32 minutes of your time precisely and it will make you feel uber good for the rest of the week after watching it. After that you can watch Persuasion, Doubt and Enchanted XD teehee
Happy Viewing All...
Monday, 1 February 2010
MAUD ALLAN: Acceptable Sexuality? Part 1...
Just a large snippet from a bit of research I did for one of my Masters essays- "Female Sexuality in Soho: "Foreignness", Public Decency and the Visibility of the Female Body in the 20th-century". It just amazed me how a scantily-clad, orientalised woman was frolicking around on stage, decapitated head in hand, in 1908 West End of London and to boot the "Respectable"classes flocking to see her!! Maud Allan- what a woman huh?!
In 1908 the Palace Theatre, just off Shaftesbury Avenue and on the edge of Soho, welcomed Maud Allan to its stage. She was an interpretive dancer from North America and it was her almost nude performance of "The Vision of Salome" that thrilled the audience, whilst simultaneously arousing concern about her performance. Salome was a Jewish princess in the bible who demanded the head of John the Baptist after her spurned her advances. However, surprisingly Maud's portrayal of Salome did not provoke a public outcry despite the divisive storyline, a considerable lack of undergarments and a sexual undercurrent towards the "Oriental" style of the piece. Instead she received critical acclaim instead. One critic of the Times, a newspaper known for all things cultural for the well-to-do and the socially prominent (a large part of Maud's audience), could barely contain his praise:
"every movement was beautiful. There is no extravagance or sensationalism about Miss Allan's dancing; even when crouching over the head of her victim, caressing it or shrinking away from it in horror... [her performance] is absolutely free of offense." (March 10th 1908)
Her performances in 1908-09 are not to be underestimated. Maud Allan's display of her body on the public stage was risky as it had only recently just become socially acceptable to be even on the stage, never mind with a stringy bra on, and there was also still a strong association between actresses and prostitution. As Salome, Maud enacted a sexually assertive female and her performance raised fears about female power and sexuality that were already developing due to the suffrage movement (which I shall mention in further detail later on....) Overall the performance did not threaten her audience because she displaced the errant sexuality onto a foreign woman. It was not a 'western' woman. This is an example of how 'foreignness'/cosmopolitanism exploded into popular culture during the Edwardian period and raised the spectre of the racial "other". Middle-class sensibilities could have been offended by the physical appearance as a half-naked woman on stage exuding aberrant sexuality towards the severed head of John the Baptist (at one point almost dry humping it!?), but Maud achieved a precarious balance of notoriety and respectability. She made the 'East' visible to the West, but kept the 'foreignness' separate from herself and the west, so was therefore not upsetting public decency. The cosmopolitan nature of this dance was reliant on a nationalist rhetoric depicting the colonies as female, weak and inferior. This "Orientalism", a discourse through which the "other" is represented by the West as subordinate thereby providing an intellectual foundation for domination, was present in the dance and the Western patriarchal social order of imperial power was maintained. In essence it was not subversive.
As a western woman presenting an 'eastern' woman on stage Maud was in an ideologically difficult position and there was a need to manipulate the rhetoric of separate spheres, of imperial power and of 'foreignness' to keep the "overlapping and mutually reinforcing categories of Western woman and native distinct" (Walkowitz). It is this nationalist discourse that promoted unity in a time of increasing challenge from women in the form of the suffrage movement during the first two decades of the 20th century. With the increase of public violence from the militants there was a need to reassert clear boundaries of public order and gender roles. A common argument made against women's suffrage was that the female nature was ill-equipped to deal with the rigours of colonialism, therefore, despite the initial appearance of Maud being sexually subversive, the reason her first performances were considered "acceptable" and not contrary to public decency was that she upheld the separate spheres gender ideology.
Allan's successful transformation of what was "Eastern" into "Western" and what was "erotic" into something "spiritual", she is permitted to continue performing her dance.
The pervasive imperial and nationalist discourse running through Britain in the 20th-century had a huge impact on culture and society. The use of the dichotomy of masculine west and feminine east shows how Maud's performance was socially acceptable and 'safe' once placed within the confines of the pro-West nationalist discourse, or "Orientalism". There was such an omnipresent discourse in Britain at this time about race deterioration and national degeneracy that the foreign 'other' and race and what it meant to be British was already present in the public psyche.
There was simultaneously a fascination with the cosmopolitan and a great deal of suspicion attached to it too. There was a "double-sided cosmopolitanism" towards dance in pre-war Britain (Walkowitz). There was a "convergence of disparate, even antagonistic, geo-political associations", which means that Maud Allan's place within society was subject to social changes. The binary oppositions of male/female, east/west is not static but jostling against one another for redefinition through the suffrage movement and later the First World War. The fact that Maud was a symbol of femininity yet portrayed cosmopolitan sexuality blurs the boundaries the separate spheres and places her in a luminal position. Maud's dance style was 'foreign' and her audience was mixed due to the Palace Theatre's location on the perimeter of Soho, yet she conducted herself outside the theatre, in public, as adhering to the ideology of separate gender roles denouncing the suffrage movement, thus separating herself from the militancy of the suffragettes and also distanced herself from the sexuality of Salome by calling her performance a spiritual awakening.
So, 'foreignness" was visible in theatrical culture but it was also attached to a dominating nationalist and imperial discourse that obscured the more 'sexual' and deviant themes. The way the negative aspects of the character are all ascribed to the character's 'foreignness' demonstrate how 'cosmopolitanism' was made 'respectable' by distancing the audience from that person. The publicly visible display of Maud Allan's scantily clothed body writhing on stage was seen as an acceptable form of cultural entertainment because it was supported with a nationalist discourse of superiority of the West over the colonial 'others' and that Maud personally distanced herself from the feminist movement. Here cosmopolitanism was an active part of the culture as long as it did not subvert the social hierarchy. Both men and women went to see Maud Allan's performance as a cultural experience and it was her performances that facilitated the entry of 'respectable' women into the cosmopolitan spaces of the commercial West End, which had hitherto been social suicide to venture into.