Wednesday 3 February 2010

Film Review: Miss Pettigrew Lives For A Day



Set in London in the late 1930s, Miss Guinivere Pettigrew (Frances McDormand) is a down-and-out, strait-laced vicar's daughter, who has just been released from her former position but an alcoholic rich lady with bratty kids- the stereotypical governess' nightmare. She is the typical governess with her drab brown clothes, her tired/gaunt face and unfashionably frizzy hair. However, a stroke of luck for Miss Pettigrew who 'acquires' a post in desperation i.e. steals off a recruitment agents' desk and finds that Delysia LaFosse (Amy Adams) is it: a social secretary to the flighty, man-using but simply lovely Delysia. Three lovers to toy and manipulate is a hard task for Pettigrew to keep her charge out of trouble. The slimy Nick, clubowner and generally 'Nasty Nick' character similar to that on Eastenders, Phil the pretty-boy-slash-muppet-with-more-of-Daddy's-money-than-he-knows-what-to-do-with who is staging a musical- one in which Delysia wants the main part- and the heart throb Michael- guess which one I liked the most?- is a cabaret pianist in the club where Delysia sings at night. He is humble (with an odd accent- possibly American, maybe English with a hint of the Gaelic about him) but morally upright yet dashing and not boring (which is what you can sometimes get with those morally upright characters- dull dull dull!) so ensue love square (rather than triangle- sometimes there are just not enough corners on a triangle), and added to that some poignant moments for Miss Pettigrew and her tentative love interest (Joe) who is shacked up with a hideous monstrosity of a woman- played by the actress who is Moaning Murtle in Harry Potter and Bridget Jones' best friend- the crying one in the loo of the bank right?!- so he so ditches her for Miss Pettigrew the lovely lady that she is. Sorry for the plot spoiler there. Plus Joe this dishy man (ok so he is middle-aged- he can be very dishy- I think its the gruff voice lol) Ciaran Hinds, who plays a fab Captain Wentworth in BBC's '90s adaptation of Jane Austen's Persuasion).



Okay so that is a summary of the plot. As an aside it is based on a book, which is something I didn't know. Winifred Watson (the first name of my great-grandma- or as I knew her- just Grandma- the crazy lady who at 87 would still crawl around on the floor with us playing Doh-Nutters wearing the silly elephant mask too!!) wrote the novel in 1938 and I soooo know I want to read it, and probably will knowing me!! I need a lifetime to read all the books I want to read.



No what made the film for me? It was sharp changes from humorous and poignant that flowed together to make a really charming story, twee but not sickeningly so. That, I think, is down to the actors who really weight down the story and lift it up when the occasion arises. The New York Times simply swooned over Amy Adams in Miss P: "[Delysia] may be an amoral, sociopathic vixen. But in Ms. Adams's portrayal she is also an irresistibly endearing creature of moods and whims, one who melts the hearts of the possessive, egotistical beaus she carelessly juggles while pursuing the leading role in a West End musical." I quite frankly I agree. She is one of the best young actresses to come to the fore in recent years and a better icon than say Jordan and the like. Recently I have watched three very different films of Amy Adams. One was Enchanted- a Disney film (and one I have seen many times because I bloody love its cheese factor), Doubt where she plays a nun alongside Meryl Streep who accuses a priest of molestation and Miss Pettigrew. In each her acting was different and she played each character differently. I like. *Nods head emphatically*




However the New York Times' swooning, however, does touch on the sycophantic: "Beneath their wiles, Ms. Adams's princesses are true-blue souls who would sooner die than hurt anyone. They're just a little ditzy." Yet they hit a key note with me- ditzy. Maybe that is why I like her acting- there is that element of continuity throughout all her roles though different- that ditzy element that is so endearing and classically her. Julia Roberts, Meg Ryan and Sandra Bullock all have an endearing quality. This is her own style. And with the ditzy factor- I think I can relate to her, though she is approximately a third of my size, gorgeous and can act. Meh, trivial aspects teehee...



Yet you cannot forget Frances McDormand the lead role of this film. She is terrific. Believable and loveable. She capturs the time in the way she holds herself and conducts herself as Miss Pettigrew. No one will mess with her not even the slimy Nasty Nick and everyone wants and heeds her advice, an incredible phenomenon but again believable. She is the main reason that the story runs and flows so well juxtaposing laughs with poignancy. In terms of critical review the plot got a wee bit panned saying "[it] is an example of how a little nothing of a story can be inflated into a little something of a move with perfect casting, dexterous tonal manipulation and an astute eye and ear for detail" (NY Times). Okay so it is quite a nice, eloquent panning and accurate in parts- the act is terrific and the directing of the tone and nice nuances really make the film that extra bit special. But this review kind of misses out on the charm of the film. That unerringly jaunty and fast-flowing pace (the film is all set over the course of a day) and the nice sentimental touches that put you back into context that it was the Depression-era, not everyone one was having a fabulously exotic lifestyle like Delysia. The fact that Miss Pettigrew is always so hungry throughout the film and almost on several occasions manages to eat something more than an olive out of a cocktail glass and the cucumbers from her facial but is thwarted. At the conclusion of the film having gone all day without real food, she sees a half eaten apple left in the train station. She makes a lunge at it, but the train porter sweeps it up before she gets there. A moment after that lone shot of the look of grim desperation on her face, Joe turns up. As they walk off into the proverbial sunset together he asks her whether she has eaten- it is soooo sweet and we know that he must have seen her diving for the apple but was gentlemanly enough to let her have a moment to compose himself before entering her eyeline. It is the most amazing and uplifting scene I have seen in ages. The entire film ebbs and flows with such ease and doesn't seem in any way contrived, which can be hard for the kind of twee movies I like to relax to. I sat on the sofa and squealed and laughed and almost shed a tear during the course of this little mountainous film.



I loved it so much so I a) blogged about it, b) am fighting my Dad to keep it on the Sky Plus Box- something he likes to wipe down every day grrrrr- completely unnecessary really, c) am going to buy it on DVD meaning that this week Miss Pettigrew Lives For A Day will be receiving plus one more DVD sale! I know Dad won't be able to resist seeing that "Viewed" sign and for fear of the memory being taken up by my stuff will delete it. Bless him. He is so fastidious.

But on a concluding note about the film, as always I recommend to watch all my blogged about movies. This one is for the light-hearted, only takes up a hour and 32 minutes of your time precisely and it will make you feel uber good for the rest of the week after watching it. After that you can watch Persuasion, Doubt and Enchanted XD teehee



Happy Viewing All...

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